06/07/2025
Fondues Rétines
Villa Belleville
Group exhibition marking the end of the residency for the artists of the seventeenth residency session at Villa Belleville.
Lift (2025)
wood, silkscreen printing on felt, acrylic glass, aluminium.
160 x 50 cm
Nothing is unabsorbed (2025)
video 5min
30/08/2025
Supergames
Dummy
SUPERGAMES is a group exhibition inspired by the idea of public space as relational and unfinished, a space shaped not only by rules, social hierarchies, and industrial infrastructures, but also open to play, intervention, appropriation, and embodied presence.
TalkThru (2025)
wood, glass, uv print on acrylic glass, aluminium bolts.
both 50 x 6 cm
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Supergames
Dummy
SUPERGAMES is a group exhibition inspired by the idea of public space as relational and unfinished, a space shaped not only by rules, social hierarchies, and industrial infrastructures, but also open to play, intervention, appropriation, and embodied presence.
TalkThru (2025)
wood, glass, uv print on acrylic glass, aluminium bolts.
both 50 x 6 cm
15/11/2025
Hello World
Possibly Sometime Tomorrow
Taken from the introductory line of code “Hello World”, this inaugural exhibition at Possibly Sometime Tomorrow introduces eight artists whose works reveal the contradiction of making art in an increasingly absurd and disorienting world.
Disappearing Show (2024)
wood, acrylic glass, felt, glass marbles
Triptych each 19,5 x 32,5 x 11 cm
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Hello World
Possibly Sometime Tomorrow
Taken from the introductory line of code “Hello World”, this inaugural exhibition at Possibly Sometime Tomorrow introduces eight artists whose works reveal the contradiction of making art in an increasingly absurd and disorienting world.
Disappearing Show (2024)
wood, acrylic glass, felt, glass marbles
Triptych each 19,5 x 32,5 x 11 cm
20/10/2024
Cross Toasting
Fun formicarium (2023)
wood, acrylic glass, aluminum, resin, print on acrylic, felt, steel, paint
187 x 50cm
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No Fun formicarium (2023)
wood, acrylic glass, aluminum, resin, print on acrylic, felt, steel, paint
187 x 50cm
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Cross Toasting
Cabanon
Fun formicarium (2023)
wood, acrylic glass, aluminum, resin, print on acrylic, felt, steel, paint
187 x 50cm
No Fun formicarium (2023)
wood, acrylic glass, aluminum, resin, print on acrylic, felt, steel, paint
187 x 50cm
23/02/2023
Digging for a home
Galerie du Crous
Combining various media, this exhibition explores the role of gregarious insects, particularly ants, in the imaginary and material institution of our societies. I work from photographic images that I manipulate and transfer onto various media in an attempt to shift towards the object.
Together, these images attempt to form a cartography of reflections on the human condition in a universe where social and environmental issues are only addressed through technology. This work questions a double-edged notion of care: is the injunction to take care of ourselves addressed to us, or does it feed our desire for performance?
Through ‘Digging for a home or a grave’, the bodies in contention attempt to stretch out and take their place, while the steel balls travel along the grooves traced for them.
Stretch&Smile (2023)
inkjet on photo paper, oak, aluminum, stainless steel
83 x 122 cm
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Whisperer (2023)
inkjet on photo paper, oak, aluminum, stainless steel
83x122cm
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Stone (2023)
inkjet on photo paper, oak, aluminum, stainless steel
83 x 122 cm
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Antswhisperer (2023)
video 3”30![]()
Phéromones (2023)
inkjet print on plaster, mounted on wood frame
24x18cm![]()
Breath (2023)
inkjet print on plaster, mounted on wood frame
24x18cm![]()
Sweethome I (2023)
uv printing on acrylic, wood, sand, plaster, tin, peephole
150x200cm
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Sweethome II (2023)
uv printing on acrylic, wood, sand, plaster, tin, peephole
150x200cm
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Digging for a home
Galerie du Crous
Combining various media, this exhibition explores the role of gregarious insects, particularly ants, in the imaginary and material institution of our societies. I work from photographic images that I manipulate and transfer onto various media in an attempt to shift towards the object.
Together, these images attempt to form a cartography of reflections on the human condition in a universe where social and environmental issues are only addressed through technology. This work questions a double-edged notion of care: is the injunction to take care of ourselves addressed to us, or does it feed our desire for performance?
Through ‘Digging for a home or a grave’, the bodies in contention attempt to stretch out and take their place, while the steel balls travel along the grooves traced for them.
Stretch&Smile (2023)
inkjet on photo paper, oak, aluminum, stainless steel
83 x 122 cm
Whisperer (2023)
inkjet on photo paper, oak, aluminum, stainless steel
83x122cm
Stone (2023)
inkjet on photo paper, oak, aluminum, stainless steel
83 x 122 cm
Antswhisperer (2023)
video 3”30
Phéromones (2023)
inkjet print on plaster, mounted on wood frame
24x18cm
Breath (2023)
inkjet print on plaster, mounted on wood frame
24x18cm
Sweethome I (2023)
uv printing on acrylic, wood, sand, plaster, tin, peephole
150x200cm
Sweethome II (2023)
uv printing on acrylic, wood, sand, plaster, tin, peephole
150x200cm
